VILLAGE LIFE

The wooden churches of Maramures.

ZOE'S DIARY:

ROMANIA

Feb. 2016

 

The land is characterised by rolling hills, sectioned off by high, peaked mountains. The hill parts were all golden brown, the wheat having been cut last autumn, and all the fields were speckled with giant haystacks formed in the traditional manner: with a wooden peg at the centre, the hay fanning out and downwards from the middle so that the top is conical, making the stacks appear like small huts on a misty morning. Every village we drove through was unbelievably charming. A typical village would consist of fifty or so houses, painted in bright colours, with chickens roaming freely near the front entrance and at the back end there would be a section with a vegetable garden, a couple haystacks and sometimes a donkey. 

There are very few roads in Romania, but what roads there are are quite lively! It was common to come round a corner and see horses pulling carts, as so many of the locals still use this as their primary mode of transport. Sometimes the hay in the carts was stacked so high, it created an enormous mound... and sat there, right on top, leaning on his elbow and smoking, would be the cart driver. I remember quite vividly a scene in which a cart passed by us up a hill - the young man driving it was standing up and holding the reigns, the cart was positively flying, the horse was at full gallop, and the boy's face was so full of joy it made me smile to see it. 

All along the roadside there are creeping vines, grass tufts and bushes that promised to flower come spring. Romania, unlike so many western countries, does not seem to spray its streets with pesticides, and a visitor may feel they are traveling through the most fertile of lands as a consequence - in all places, things are growing and sprouting quite beautifully. 

 

As we drove along, I saw so many things that caught my attention:

a woman washing her clothes in a fountain,

another pulling water from a well,

some carpets drying in the sun,

men riding rickety bicycles while holding small dogs,

an old man sitting in a beach chair at the side of the road watching the world go by,

a palace of a house, bedecked in gold and announced with lion statues...

 


I really felt so much love for this place, and I hope one day to return in summer.


A romanian villager walks with a horse and cart across frozen fields.
A colourful little Romanian village with pastel painted houses.
The beautiful wooden architecture of Bârsana Monastery, Romania.
The tall wooden church spires of Bârsana monastery in Romania.
A small shrine over a spring, inside a Romanian monastery.
Cross by the roadside with a snow covered hill.
Bârsana Monastery wooden churches framed in a doorway.
Wooden doors of Maramures, Romania.
Haystacks in the fields of Maramures.
A chimney smoking in the hills of Maramures, Romania.
A red carpet in front of a small wooden door, Romania.
A stork's nest on top of a telephone pole.
A colourful grave marker in the Merry Cemetery of Sapanta - with a Frida Kahlo esque portrait.
A farm fence in a small Romanian village.
Tractor carrying a huge stack of hay through a small Romanian village.
A bridge over a half frozen river, in Maramures.
Two free range chickens pecking in front yard of a tiny Romanian house.
A shepherd leads a small flock across a Romanian road.
Pastravaria Alex - a small traditional Romanian restaurant with colourful carpets and low ceilings.
A young lady in traditional Romanian dress with a flower patterned skirt and headscarf. 
Haystacks in a snow covered field in Maramures.
Two Romanian gentleman wandering down the village road - with fuzzy hats on.
A horse and cart on a forest road - one of the main forms of transport in Romania.
A grave marker in the Merry Cemetery - showing a colourful painting of a farming family.
A grave marker in the Merry Cemetery - showing a bright painting of a tractor.
The Merry Cemetery of Sapanta - where the grave markers are painted with colourful images.

NOSFERATU

Nosferatu castle - The church of Timisoara, Romania.

THE BOOK OF THE VAMPIRES

...and it was in 1443 that the first Nosferatu was born.

That name rings like the cry of a bird of prey.
Never speak it aloud...

Men do not always recognize the dangers that beasts can sense at certain times.
— NOSFERATU, 1922.

DIARY OF ZOE ECCLES

Feb. 2016

Romania is a very different place. This much was clear even as we crossed the border. The roads changed and became a lot more bumpy, slowing our car to a low mumble, and the trees crowded in as the road narrowed, as if they wished to get a good look at us. The mist that had been so prevalent in Hungary thickened, then disappeared completely, revealing a landscape that rolled onwards to unseen mountains. I had a very distinct feeling wash over me when we crossed the border, and it lingered for a few hours afterwards. It was not unlike the after-effects of falling from a great height - when the bottom falls out of one's stomach; but take this and mix it with a blurry head as one feels upon waking from a deep dream, and you have the mysterious feeling I was overcome by. In hindsight, I can only attribute this to strange things; perhaps a shift in realities, as we crossed into a land of collective beliefs and superstitions. 

 

♱♱♱

I cannot say I was ill prepared for what was to come, as I had already heard so many tales of the place. Surprisingly, though, these tales were not of the folkloric kind, and did not touch on the subject of vampires or witches. No. These were modern day scary stories: of the mafia, and con men, and gypsies and dangerous people. 

When I was quite young, I remember listening to such tales, told at the dinner table by a well-meaning uncle, who had recently visited Romania. My mother, upon hearing such horrors, decided then-and-there that none of her children should ever visit Romania. I, being the rebellious child that I was, decided then-and-there that I must visit Romania.

 

♱♱♱

 

Before visiting Romania, I had come across this one profound question, the asking of which changed my life:

Who are you, without all your fears?

You see, I had grown up with many fears, and and a tonne of anxiety. Fears of doing the wrong thing, saying the wrong words, picking the wrong career path, not being good enough... Fears of certain foods, of health disorders, of becoming poor... Fears of irrational things, terrorist attacks, being murdered, becoming a victim of some kind...

All these fears knocking around in my head, and who would I be, without them?

It was an interesting question.

I held it in my mind, as we entered into that unknown, supposedly dangerous territory that is Romania.

♱♱♱

It is important to note that I was not without fear when we first began to explore this vast country... In fact, I was positively crippled by my anxiety surrounding the 'bad things that could happen to us.' I remember not wanting to leave our Airbnb one day, because I thought the small, creepy town we were staying in might be dangerous. Luckily, though, a chink of light showed through the dark veil of fear, and I decided to venture out, with Oliver by my side...

... Only to find that everything was quite peachy! Slowly, gradually, throughout our entire journey, my fears were alleviated and replaced with the honest truth of my own experience: that humans in Romania were, in fact, the same as any others. We were shown kindness after kindness! Some of them even became our friends, and joined us in our travels for a while, sharing their homes and food and beer.

Honestly, I should have been more worried about the vampires...


ROMANIAN VAMPIRES

 

There was something... odd about the whole place.

Perhaps it was the fact that we had been reading Bram Stoker's Dracula, or perhaps it was the castle hallways - dark, brooding, and candle-lit with red carpets and dusty suits of armor that dated from the time of the first inhabitants. Or maybe it was the way that the local people kept telling us to keep the windows closed. Not just in houses, but in cars too...

Whatever it was, I began to feel like I didn't want the windows open, while we slept.

Intrigued by the subtle overtones of folkloric belief, I began to ask around, only to get a mixed response. Some people did not believe in such things at all, others went quiet. But a few of them spoke up, and began to tell me tales of their grandmother's time, when ghouls and the undead were not simply a thing of fairytales.

One night, driving under a pale milky-faced moon, I saw fires in the fields - little glimmers of light in the darkness.

And again, when we visited the graveyards, the candles were burning, with not a soul around, the snow softly falling.

The whole effect was quite eery, and I had some very strange dreams.


“I want you to believe...

...To believe in things that you cannot. Let me illustrate. I heard once of an American who so defined faith, `that faculty which enables us to believe things which we know to be untrue.’ For one, I follow that man. He meant that we shall have an open mind, and not let a little bit of truth check the rush of the big truth, like a small rock does a railway truck. We get the small truth first. Good! We keep him, and we value him, but all the same we must not let him think himself all the truth in the universe.”
— VAN HELSING - DRACULA, by BRAM STOKER
Romanian roads - creepy twisted trees in the mist.
Black cat in the snow - magic and superstition.
Red rose in the snow - winter rose.
Stone stairs under an arch in the snow.
Creepy full moon - old style black and white.
Bram castle perched on a hill - the view from behind the castle.
Bare branches in a winter forest.
Romanian church doors, brass or iron.
cave in the snow
Door handle and brass key in black and white.
Garden statues - a lion and a greek lady, with snow piled high.
Red rose in the snow.
Red carpets on old creaky floors in Peles Castle.
Pigeons flying in a swarm over Timisoara - true Dracula halloween style.
Fires in the night in the dark.
Full moon, with clouds, in black and white. 
Black pines with white sky.
Peles castle in winter - black and white.
Ornate gold ceilings in Peles Castle - with painted inlays.
The painted courtyard of Peles Castle - a beautiful example of Romanian wooden architecture.
The Sapanta Merry Cemetery of Romania - where the grave markers are colourful.
The wooden churches of Maramures, in Romania.
Wolf prints in the snow.
Bram Castle - Dracula's castle in Romania - in winter.
Wooden churches in Maramures with very tall steeples.
Little wooden crosses in a graveyard - Romania is the stage of the real Nosferatu.
Red candles on a grave in a Romanian cemetery.
Harp in a grand old ballroom with a chandelier.
Books in Dracula's library - old titles in other languages with hard covers and gilt headings.
Suits of armour in a dark hallway at Peles Castle, Romania.
Old red carpets on endless stairs in Peles Castle, in Romania.
Candles and old portraits in a dark hallway of a castle.
Prayer candles in the dark of a cold church.
The spectacular wooden craftsmanship at Peles Castle - with spiral stairs and wooden walls.
The grand dining room of Peles Castle - a real life Dracula scene.
The beautiful woodwork of Peles Castle, in a grand map room.
Garden statues watching the strollers.